电影莫斯科保卫战

视频简介

山岸星见（川口春奈饰）自幼失去了父亲，和母亲过着相依为命的生活。如今，已经长大成人的星见在大东亚制粉营业部工作，小松原麦太郎（田边诚一饰）是他的直属上司。麦太郎的妻子菱子（铃木砂羽饰）是一个多疑的女人，她怀疑自己的丈夫和星见之间有着不伦的关系。 菱子约星见见面，两人在咖啡厅发生了口角，推搡之中，星见和菱子的灵魂竟然互换了身体，就这样，星见在菱子的身体里开始了和上司的同居生活。麦太郎敏感的察觉到了妻子言行举止上的变化，在疑惑的同时，他发现自己又一次的喜欢上了这个和从前判若两人的“菱子”。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。